動態影像理論與實踐

臺北科技大學 114-2 學期課程，課號 357266。

課程大綱

This course aims to exam sensory experiences and cultural significances of various cinematic forms from art cinema, documentaries, and experimental images to the digital turn of VR films and beyond. However, the goal of the course is not to be a historical survey but instead an investigation of this hybrid moment and its relationship to aesthetics, culture, technology, and modernity. Readings cover topics in film theory, media theory, and visual cultural critical theory.

課程進度

WK 1: Introduction Phase 1: What is Moving-Image? Past, Present and Future. WK1-3 Eugenie Brinkema, 2009. “Writing about Media!” Reading (R): Ways of Seeing. Ch1. Ch2. (R): Benjamin, Walter. 1970. “The Work of Art in the Age of Mechanical Reproduction, ” Illuminations. Translated by Harry Zohn. LDN: Jonathan. (R): Lee, Yulin. 2013. “The Digital Emergence of a New History: The Archiving of Colonial Japanese Documentaries on Taiwan,” Concentric: Literacy and Cultural Studies 39.1.: 119-136. (S): Southward Expansion to Taiwan (1939-1940), 24 Frames (Abbas Kiarostami, 2017), Taste of Cherry (Abbas Kirostami, 1997) Phase 2: Beyond Visuality: Sensorium on Screen and Embodiment WK4-6 (R): Sobchack, V.. 2004. ”What My Fingers Knew,” in Carnal Thoughts: Embodiment and Moving Image Culture. CA: University of California Press, Ltd.. 53-84. (R): Sobchack, Vivian. 2004. ‘The Expanded Gaze in Contracted Space: Happenstance, Hazard, and the Fleshes of the World,” Carnal Thoughts: Embodiment and Moving Image Culture. CA: University of California Press. pp. 85-108. (R): Marks, Laura. U. 2002. ‘I Am Very Frightened by the Things I Film,’ ”Touch: Sensuous Theory and Multisensory Media.” University of Minnesota Press. pp. 41-56. (S): Dekalog I (Krzystof Kieslowki, 1988), The Piano (Jane Campion, 1993), The Return of Gods and Ancestors: Paiwan Five Year Ceremony《神祖之歸：排灣族五祭》（Hu Tai-Li, 1984） Phase 3: Violence WK 7-8 (R): Didi-Huberman, G. 2012. Images in Spite of All. Four Photographs from Auschwitz. (R): Hong, Guo-Juin. 2011. Taiwan Cinema: A Contested Nation on Screen. Palgrave MacMillan. (S): Night and Fog (夜與霧，1955，法國 ), Hand in Hand (牽阮的手，2011，臺灣), A City of Sadness (悲情城市，1989，臺灣). Due 4/14: The mid-term assignment 4/11, 4/18 Two-day Workshop. Sat. 9-12am & 1-4pm. General Building 614. 5/11-5/13. Exhibition. General Building B1 Gallery. WK 9: Midterm Study WK 10: The Museum Visit (TBC, to be confirmed) WK 11-14 : Oral presentation and Discussion (R): Rose, Gillian, 2016. Visual Methodologies: An Introduction to the Interpretation of Visual Materials. Ch1-3 Ch 4: `the good eye': looking at pictures using compositional interpretation. & Ch12: Images as Research Data. Ch7: Psychoanalysis: Visual culture, visual pleasure, visual disruption. Ch 8: Discourse analysis I: text, intertextuality, context. & Ch10: Audiences Studies Ch 9: Discourse analysis II: institutions and ways of seeing. Ch11: Digital Methods & Ch13. WK15-18: No Class. Replaced with the two-day Workshop in April. Due 6/02: The final assignment

評量方式

Attendance and strong participation in class. 20% Oral presentation. 20% Individual assignment. 40% (Midterm 20%; Final 20% ) Artwork and Exhibition. 20%

教材

【遵守智慧財產權觀念，請使用正版教科書，不得使用非法影印教科書】 使用外文原文書：是 Refer to the syllabus.